Sluts in Form and Content: A Conversation Between Sarah Yanni and Michelle Tea
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
Sarah Yanni talks with Michelle Tea about her new anthology “SLUTS.”
Three-quarter Moon (1989), stoneware, 17 × 21 1/2 inches, photo: Nicholas Knight. Courtesy The Isamu Noguchi Foundation and Garden Museum © Family of Toshiko Takaezu; Moon (1980s), stoneware, 13 × 13 1/2 inches © Family of Toshiko Takaezu
Diana Heald reviews Suzanne Scanlon’s “Committed: On Meaning and Madwomen.”
Joseph A. McCartin reviews “The Hammer: Power, Inequality, and the Struggle for the Soul of American Labor.”
Jessica Rizzo reviews David Bellos and Alexandre Montagu’s “Who Owns This Sentence? A History of Copyrights and Wrongs.”
Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword...
Announcing a new series of LARB Workshops this May with Nadja Spiegelman, Hannah Assadi, and Callie Siskel. Registration closes on April 28 at 11:59 p.m. PST.
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Scholar and writer Anna Shechtman joins Medaya Ocher to discuss her book “The Riddles of the Sphinx: Inheriting the Feminist History of the Crossword...
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In an excerpt from LARB Quarterly no. 41, “Truth,” writer Rachel Cusk and filmmaker Ira Sachs discuss his new film “Passages,” his oeuvre, and the...
Ruth Joffre reviews Liliana Colanzi’s “You Glow in the Dark.”
Alice Courtright reviews Marie Howe’s “New and Selected Poems.”
Enzo Escober reviews Julio Torres’s body of work, but most of all, his debut feature, “Problemista.”
In an excerpt from LARB Quarterly no. 41, “Truth,” Sarah Yanni accounts for what she left behind when she called off her wedding—and what she...
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Brittany Menjivar forgoes turkey legs and opts instead for a taste of pulled pork and momento mori at the Renaissance Faire.
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A double-header episode about two new novels that each feature high stakes feats of translation.
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