Choose the Opposite: A Conversation with Linda D. Addison
Matthew Sorrento interviews poet and speculative fiction writer Linda D. Addison.
Matthew Sorrento interviews poet and speculative fiction writer Linda D. Addison.
The Lost Codex of Moctezuma (2024), oil on linen, 56 x 76 1/4 x 1 1/2 inches; Installation view, Raul Guerrero: Terra Incógnita , April 25 – June 8, 2024, David Kordansky Gallery, New York. Photo: Phoebe d’Heurle. Images courtesy the artist and David Kordansky Gallery.
Greta Rainbow reviews Alice Rohrwacher’s film “La chimera.”
Andrew Scull critiques the cultural influence of Peter Kramer’s 1993 book “Listening to Prozac.”
In an excerpt from LARB Quarterly no. 41, “Truth,” Ena Selimović translates Marina Gudelj’s short story … or is it a eulogy?
Emiliano Aguilar reviews Margaret M. Power’s “Solidarity Across the Americas: The Puerto Rican Nationalist Party and Anti-imperialism."
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Kate Wolf and Medaya Ocher are joined by writer and publisher Danielle Dutton, author of “Prairie, Dresses, Art, Other” as well as “Margaret the...
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Anna Levett reviews Mark Polizzotti’s “Why Surrealism Matters.”
Saikat Majumdar reviews NYRB Classics’ rerelease of Amit Chaudhuri’s first three books.
Jenessa Abrams reviews Miranda July’s “All Fours.”
Ladette Randolph interviews Carolyn Kuebler about the relationship between writing and editing and her debut novel, “Liquid, Fragile, Perishable.”
Madeleine Crum reviews Colombe Schneck’s “Swimming in Paris: A Life in Three Stories.”
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