Frame Tale: On Christine Smallwood’s “La Captive” and Chantal Akerman
Lori Marso reviews Christine Smallwood’s book on “La Captive” (Chantal Akerman, 2000).
Lori Marso reviews Christine Smallwood’s book on “La Captive” (Chantal Akerman, 2000).
Lori Marso looks at “Priscilla” within Sofia Coppola’s white girl oeuvre.
Lori Marso explores feeling plastic in Greta Gerwig’s “Barbie” and the works of Chantal Akerman.
Lori J. Marso uses Simone De Beauvoir and a feminist phenomenological lens to consider Audrey Diwan’s “Happening,” a film adapted from the work of...
Is Julia Ducournau’s “Titane” feminist?
Lori Jo Marso reads Annie Ernaux’s latest memoir alongside de Beauvoir.
Three recent texts recast the social roles of mothers and the psychology of motherhood.
A book on midcentury anti-feminism and the politics of sentimentality.