The Soul Makes Room: On Amina Cain’s “Indelicacy”
Nathan Scott McNamara considers “Indelicacy,” the new novel from Amina Cain.
Nathan Scott McNamara considers “Indelicacy,” the new novel from Amina Cain.
Nathan Scott McNamara reviews Johannes Anyuru's "They Will Drown in Their Mothers’ Tears," translated by Saskia Vogel.
Nathan Scott McNamara reviews Naja Marie Aidt’s “When Death Takes Something from You Give It Back,” translated from the Danish by Denise Newman.
Nathan Scott McNamara reads "The Remainder" by Alia Trabucco Zerán, out now in a translation from Sophie Hughes.
Nathan Scott McNamara talks to Tom Roberge and Emma Ramadan, co-owners of Riffraff, a bookstore, coffee shop, and bar in Providence, Rhode Island.
In “Song for the Unraveling of the World,” Brian Evenson renders the world as a place of infinite and paralyzing delusion.
"Savage Conversations" is an interrogation of the depth and rot of American racism and the way it distorts the minds of everyone, even our political...
Nathan Scott McNamara reviews Samanta Schweblin's new collection of short stories, "Mouthful of Birds."
Danielle Dutton and Martin Riker’s Dorothy, a Publishing Project is a small feminist press that isn’t stopping anytime soon.
Nathan Scott McNamara reviews Helen DeWitt’s collection “Some Trick,” where we are granted access to 13 more of her mad performances.
Nathan Scott McNamara talks to translator Christina MacSweeney about her work with Valeria Luiselli, Verónica Gerber Bicecci, and Daniel Saldaña...
Azareen Van der Vliet Oloomi’s “Call Me Zebra” threads narrative and theory to depict the isolating experience of exile.