To Draw the Mortal Hours: On James Matthew Wilson’s “The Strangeness of the Good”
Patrick Kurp appreciates the humility and plain speech of James Matthew Wilson’s poetic chronicle of the pandemic in “The Strangeness of the Good.”
Patrick Kurp appreciates the humility and plain speech of James Matthew Wilson’s poetic chronicle of the pandemic in “The Strangeness of the Good.”
Patrick KurpDec 25, 2022
Isabel Ruehl reviews Peter Sacks’s first solo exhibition, “Resistance,” at the Rose Art Museum.
Isabel RuehlDec 21, 2022
Hollis Robbins examines the legend of Phillis Wheatley, the first African American published poet.
Hollis RobbinsDec 19, 2022
Daniel Lisi talks with Yesika Salgado about the fifth anniversary of her breakout poetry collection “Corazón.”
Daniel LisiDec 17, 2022
Benjamin Shull reviews a new edition of E. E. Cummings’s “The Enormous Room.”
Benjamin ShullDec 12, 2022
Joshua Hren reviews Adam Nicolson’s “The Making of Poetry: Coleridge, the Wordsworths, and Their Year of Marvels.”
Joshua HrenDec 11, 2022
Lee Thomas takes a look at Lauren Haldeman’s experimental graphic novel “Team Photograph.”
Lee ThomasDec 7, 2022
Susan McCabe reviews Jody Gladding’s “I entered without words” and Forrest Gander’s “Your Nearness.”
Susan McCabeDec 6, 2022
Noah Warren reviews Sara Deniz Akant’s “Hyperphantasia” and Jessica Laser’s “Planet Drill.”
Noah WarrenDec 1, 2022
Jane Zwart reviews Adam Tavel’s latest collection of poetry, “Rubble Square.”
Jane ZwartNov 29, 2022
Sunil Iyengar reviews Rachel Hadas’s recent collections of poems, “Love and Dread” and “Pandemic Almanac,” alongside “Piece By Piece: Selected Prose.”
Sunil IyengarNov 25, 2022
Alec Pollak reviews Ada Calhoun’s ”Also a Poet: Frank O'Hara, My Father, and Me.”
Alec PollakNov 21, 2022
Siham Karami reviews David Mason’s new collection of poems, “Pacific Light.”
Siham KaramiNov 20, 2022
Vesper North considers Gene Andrew Jarrett’s updated biography, “Paul Laurence Dunbar: The Life and Times of a Caged Bird.”
Vesper NorthNov 17, 2022
Elizabeth Metzger interviews Andrew Bird about his new single, “I felt a Funeral, in my Brain,” featuring Phoebe Bridgers.
Elizabeth MetzgerNov 16, 2022
Michael Davidson reviews David Lloyd’s new poetry collection “The Harm Fields.”
Michael DavidsonNov 15, 2022
Josh Billings reviews Wesley McNair’s “Late Wonders: New and Selected Poems.”
Josh BillingsNov 12, 2022
Madeleine Cravens considers “Bluest Nude” by Ama Codjoe.
Madeleine CravensNov 8, 2022
John James considers “[To] the Last [Be] Human” by Jorie Graham.
John JamesOct 28, 2022
Spencer Hupp considers “Continuous Creation” by Les Murray.
Spencer HuppOct 21, 2022
Lauren Mackler interviews Harmony Holiday on her new book "Maafa."
Lauren MacklerOct 14, 2022
Forrest Gander considers “In a Few Minutes Before Later” by Brenda Hillman.
Forrest GanderOct 12, 2022
Henry M. Cowles reviews Patrick House’s “Nineteen Ways of Looking at Consciousness” and finds House’s brains to be remarkably similar to Wallace...
Henry M. CowlesOct 11, 2022
Rose Higham-Stainton pores over “The Letters of Rosemary and Bernadette Mayer 1976–1980.”
Rose Higham-StaintonOct 7, 2022